2013
Installation view at West Vancouver Museum, West Vancouver
Dialectic of Failure employs clay and the craft process to probe the delicate balance between dichotomies such as historicism and modernity, art and craft, and reason and mysticism. Through terracotta “scream pots”—vessels that evoke both anatomical forms—viewers are invited to release pent-up emotions by screaming into forms that absorb and mute sound. This act of containment contrasts with other pieces created by forcefully hurling clay against a wall, embodying a visceral release from emotional suppression. Engaging with clay as a "craft" material traditionally outside critical contemporary art discourse, Dialectic of Failure repositions craft as a reflective process that addresses the complexities of contemporary existence. The work offers a cathartic exploration of frustration, distress, and the limitations of reason, challenging viewers to reconsider craft’s role within art as a space for confronting and processing the tensions of modern life.
Installation view
2013
Thrown (left)
Terracotta
Screampot #5 (right
Terracotta, wood, canvas
2013
Throwing (an invisible rock) (left)
Light-jet print on metallic paper mounted on aluminium.
17" x 14"
Throwing (an invisible pot) (right)
Light-jet print on metallic paper mounted on aluminium.
14" x 17"
Detail
2013
Light-jet print on metallic paper mounted on aluminium.
5” x 4”
Detail
2013
Light-jet print on metallic paper mounted on aluminium.
4” x 5”
Installation view
2013
Thrown (left)
Terracotta, studio drywall
Throwing (right)
HD Video
3m 46s